Antonio Di Benedetto’s Trilogía de la espera—first published as a single volume in 2011, fifteen years after his death—is a work that came into existence independently of its author’s volition, an after-the-fact juxtaposition of three novels he never presented as interrelated, under a title he did not choose. Each of the novels within it has a distinct relationship to history, which is posited in Zama (published in Argentina in 1956), and subsequently evolves through El silenciero (1964) and Los suicidas…