“A writer of unprecedented originality….Essential and necessary.”
-- Vanguardia
“The novel will not be put down.”
-- Susan Salter Reynolds, LA Times Book Review
“Spare and powerful.”
-- Nora Sohnen, East Bay Express
“Fiercely impressive….With concise and measured efficiency, Esther Allen’s translation delivers a very compelling and easily accessible novel.”
-- Harry Morales, WorldView, November/December 2004
Audacious…magical…. Rey Rosa deftly collapses the frontier that lies between consciousness and unconsciousness, language and silence, civilization and barbarism.
-- The San Francisco Chronicle
“Allen’s translation…is a spare yet thought-provoking exploration of a fictional cold-blooded and vicious kidnapping.”
-- Roberta Gordenstein, Multicultural Review

by Rodrigo Rey Rosa
Published in 2004 by New Directions

This muscular, starkly impressive novel from Guatemala’s premiere young writer fiercely addresses the seemingly endless violence of Latin America. A young man, Juan Luis Luna, is kidnapped in Guatemala City and held at the bottom of a rusty, empty underground fuel tank in an abandoned gas station. The kidnappers demand a ransom; his rich father does not reply. The kidnappers threaten to cut off his son’s foot and still hear nothing. They then slice off one of Juan Luis’s toes and send it to his father, who still refuses to act. So the next day…

The Good Cripple—obsessively focused, chilling, allegorical—is stunningly explosive. With its enigmatic beginning, however, and its circular relentless structure, the novel is also dense with ideas: can one be whole after mutilation? Can the injured transcend violence? Rodrigo Rey Rosa’s style is of a lithe pristine clarity, but beneath that calm surface cruelty, revenge, and diffidence churn darkly away. The Good Cripple is an astonishingly intense book, and as unforgettable as the sight of “the place where the foot had been severed, where a circle of red flesh, now a little black along the edges, could be seen, with a concentric circle of white bone that was both milky and glassy…”

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